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Notify me of new comments via email. Notify me of new posts via email. The role was later taken on by Gilbert Luis Duprez, who introduced the then rarely performed chest voice. The team in Bad Wildbad performed the opera, seemingly without any cuts.
Honest opinion? Interesting, Very interesting, even. Nice to have on CD. But far from memorable and I am not sure about the artistic value of the operation. If one had these kind of singers, why not stage a rare opera? Anyway, the main singers had adequate voices although Judith Howarth is not a Rossinian soprano, lacking lightness and agility.
Michael Spyres has all the notes and and excellent French but seems indifferent to what he is actually singing. Tara Stafford has a petulant, wee voice of light soprano. A never ending piece, really, luckily cut in all the Tell performances I know my musical company for the evening puffed and rolled his eyes to heaven several times during the piece.
Artavazd Sargsyan in the role of the fisherman sang very well with a clear and pure top register. Antonino Fogliani directs capably the demanding score. See Ricciardo and Zoraide for orchestra and chorus. Name required. Comment required. Share this: Tweet. Email Pocket. Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email Address never made public. Post to Cancel. Post was not sent - check your email addresses!